Smack-dab in the middle of Chopin’s Op. 25 Etudes lies this unique and memorable piece that is unlike any other Chopin creation. And one that has generated a considerable amount of ink over the decades.
Sometimes it’s called the “‘cello Etude,” due…
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Posted in Chih-Long Hu, Waltzes on Mar 19th, 2008

Is this indeed Chopin’s “farewell” to his Polish fiancee Marie Wodzińska? The autographed manuscript has the inscription “Pour Mlle
Marie.” We’ll let the “
Ain’t Nothing Like the Real Thing” blog pick up the story…with a tip of the hat…
#1 — In…
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Today the Chopin Project spotlight falls on Russian-born Michigan pianist
Olga Kleiankina, performing the First Impromptu (in A-flat, Op. 29, No. 1) by Chopin. By its very title “Impromptu” is
supposed to mean just that — just a perky, playful little…
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Posted in Chopin, Mazurkas, Xiaofeng Wu on Feb 10th, 2008
The Mazurkas, like the Polonaises, are the compositions closest to Chopin’s Polish roots. In fact, many Chopin scholars say the Mazurkas are Chopin at his most personal, experimental, and confessional: In his Mazurkas, you get to know the very soul…
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Arthur Greene:
By the time he was 15, Chopin had developed has piano technique considerably, and he was writing pieces that were firmly in the virtuoso tradition of the early Romantic period. Now, the general aesthetic at the time was not particularly…
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Hear Arthur Greene perform Chopin’s Barcarolle in F-sharp minor, Op. 60
This is one of the last pieces that Chopin played in public. The excellent notes from the Los Angeles Philharmonic’s website set the stage:
When in 1846 Frederic Chopin (1810-1849) completed the Barcarolle,…
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Posted in Chopin, Polonaises, Recordings, piano on Dec 12th, 2007
“The very first piece on the program is a piece that Chopin wrote when he was seven years old. It’s very typical of the music that was being written at that time in Warsaw…a little Polonaise…with even a little virtuosic…
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